Rockers The Hives lay down the law for "Lex Hives"
By Piya Sinha-Roy
LOS ANGELES (Reuters) - Swedish garage rock band The Hives put their hardest rock'n'roll effort into their latest studio album following their last record five years ago which harnessed urban music influences.
The new record, titled "Lex Hives" because the album "is the law of the Hives" according to bandmember Nicholaus Arson, follows "The Black And White Album" (2007). It took The Hives about two years to pull together as they struggled to find a sound that returned them to their garage rock roots from the hip hop-influenced previous effort.
"It's sort of timeless, what we do as a band," lead singer Howlin' Pelle Almqvist told Reuters. "We want to be one of those bands that withstands the tide of change in the industry."
Formed in 1993 in Fagersta, Sweden, The Hives consists of Almqvist, his brother Arson and Vigilante Carlstroem on guitar, bassist Dr. Matt Destruction and drummer Chris Dangerous.
The band first gained popularity during the garage rock resurgence of the early 2000s that gave way to bands like "The White Stripes," but The Hives changed tracks and experimented with new sounds on their last record, working with R&B producers Timbaland and The Neptunes.
For their fifth studio album, released earlier this month, The Hives went back to their roots, which is showcased on the energetic opening track "Come On!," as well as the blues-rock track "I Want More" and the anthem-like tune, "These Spectacles Reveal The Nostalgics."
"We were really more interested in making a classic record. We wanted it to be like it could have been recorded at any point in the last forty years, whereas our last record was more like our attempt at being modern," said Almqvist.
The band compiled the entire album themselves from "plugging in the guitar" to "arranging the songs and engineering." Continued...