Prize-winning pianist caught between anger and ecstasy
By Barbara Lewis
BRUSSELS (Reuters) - Competitions are for horses, not for artists was the verdict of the great Hungarian composer and pianist Bela Bartok.
And there is a part of Israeli pianist Boris Giltburg, declared winner on June 1 of one of the world's most prestigious and grueling music contests, that agrees.
He won Belgium's Queen Elisabeth Competition in spite of a memory lapse that froze him as he performed Mozart in the semi-finals. His mother and grandmother, both pianists, left the room where they were listening, convinced it was all over, as was Giltburg.
"What I most wanted to do was crawl away, but I knew I couldn't. It's a feeling of utter hopelessness," he told Reuters, relaxing at last over chocolate dessert in a Brussels brasserie.
After the performance, he forced himself to play back the recording and discovered, contrary to his expectations, he had not actually stopped.
His right hand had continued to play "something", he said. But the revelation, was that, after the blackout, he recovered, his playing improved, his muscles relaxed and Mozart flowed.
Still, he was incredulous that he was selected for the finals - and the next ordeal in the form of a week of confinement in Waterloo, near Brussels.
In the "Chapelle musicale" (literally musical chapel), built for the purpose, the 12 finalists, denied all access to the outside world, had to learn a fiendishly difficult new work by French composer Michel Petrossian, as well as rehearsing their chosen performance pieces - in Giltburg's case a Beethoven sonata and a Rachmaninov concerto. Continued...