Stevie Wonder blends hits at Montreux for Quincy Jones

Wed Jul 16, 2014 9:25pm EDT
 
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By Stephanie Nebehay

MONTREUX Switzerland (Reuters) - Motown legend Stevie Wonder gave a soulful two-hour concert at the Montreux Jazz Festival on Wednesday night, blending his hits with covers of the Beatles and Michael Jackson for an audience that included producer Quincy Jones.

The African-American singer and songwriter, wearing lime green sunglasses and braids down to his waist, headlined the 48th edition of the prestigious Swiss festival, fulfilling a longtime wish of its late founder Claude "Funky" Nobs.

"Tonight's show is dedicated to a man who talked with me so long about doing this event. He is watching us from up in heaven - Mr. Nobs," Wonder told the sold-out crowd of some 4,000 fans.

Addressing Jones, a former co-director of Montreux who was seated in the front row, Wonder said: "Not only a brother but a friend, I'm so grateful I've known him since I was 14 years old. He brought out Michael Jackson and so many young artists."

Wonder, a 22-time Grammy winner who has been blind from birth, displayed his versatility, playing piano, harmonica and percussion. He was backed by 10 musicians and four vocalists.

He alternated hit singles including "How Sweet It Is (To Be Loved by You)", "You Are the Sunshine of My Life", "I Just Called To Say I Love You" with the Beatles hit "Day Tripper", Paul McCartney's "Ebony and Ivory" and Michael Jackson's "Billie Jean" from the best-selling "Thriller" album produced by Jones.

During "Living for the City", about a poor Mississippi boy encountering racism and New York drug pushers, he said: "How I wish I didn't have to write a song like this. But I had to write it, because it's true. There is prejudice in the world."

Wonder, 64, closed the show with "Superstition", bringing fans in the front rows of seats - who paid 480 Swiss francs ($530) a ticket - to their feet.   Continued...

 
U.S. singer Stevie Wonder performs during the Montreux Jazz Festival in Montreux July 16, 2014. REUTERS/Pierre Albouy