"Public Enemies" a missed opportunity
By Kirk Honeycutt
LOS ANGELES (Hollywood Reporter) - Michael Mann's John Dillinger movie "Public Enemies" is slow to heat up and never quite comes to a boil.
The elements are certainly here with the always charismatic Johnny Depp as the Depression-era bank robber and, in some quarters, idolized Robin Hood and Marion Cotillard, off her Oscar win, as his lady friend. But Mann and co-writers Ronan Bennett and Ann Biderman never crack the meaning of John Dillinger.
The film veers between fact and legend, sticking mostly with facts but still unable to bring its protagonist into focus as either an amiable sociopath or a true antihero. He winds up being just a guy who robs banks, which is probably all he ever was, so why such a lavish production? John Milius accomplished as much if not more with "Dillinger" in 1973 at the cost of probably two scenes in "Public Enemies."
Since there's nothing in the marketplace right now like "Public Enemies," Universal should recoup the reported $80 million budget between domestic and international box office. But the film lacks the juice promised by the teaming of such extraordinary filmmakers with a cast as large as a Hooverville encampment.
There is both too much going on here and not enough: Multiple jail breaks, frequent bank robberies, deadly shootouts with G-Men, bodies everywhere. But you'd probably have to read the source material, a book by Bryan Burrough, to understand the significance of many scenes.
Dillinger breaks out of "escape proof" Crown Point, Ind., jail, driving off in the female sheriff's (Lili Taylor) own car. The shootout at the Little Bohemia Lodge in northern Wisconsin is a fiasco for the fledgling Federal Bureau of Investigation, which allowed Dillinger to escape.
Incensed G-Man Melvin Purvis (a stoic Christian Bale) figures Dillinger will foolishly head back to Chicago, so his men watch the apartment of Dillinger's half-French dame Billie Frechette (Cotillard) around the clock. She still eludes them. Purvis' men finally do arrest her, but Dillinger drives away from the scene without anyone noticing him. This sets up the famed betrayal of the "Lady in Red," which was actually a yellow dress.
So many of the era's personalities parade before the cameras -- look, there's Pretty Boy Floyd (Channing Tatum) getting shot at long range by Purvis; there's famed bad guys Alvin Karpis (Giovanni Ribisi) and "Baby Face" Nelson (Stephen Garrett) plotting jobs with Dillinger; there's crime boss Frank Nitti (Bill Camp) growing tired of Dillinger's juvenile shenanigans; there's young J. Edgar Hoover (a stiff Billy Crudup) just getting his feet wet! Continued...