Michael Caine on warpath in "Harry Brown"
By Kirk Honeycutt
TORONTO (Hollywood Reporter) - Commercials director Daniel Barber calls his feature debut, "Harry Brown," an "urban Western," which suggests the film's allure and its problem.
In the film, a pensioner goes on a wild vigilante-killing spree after an elderly friend is killed by a bunch of toughs in a rough, impoverished London neighborhood.
It's "Destry Rides Again," only with an old codger rather than a mild-mannered youngster who surprises bad guys and cleans up a corrupt and lawless inner-city estate (a "project" in American terminology).
Since Michael Caine is that old codger, "Harry Brown" has box office potential. Lionsgate distributes in the U.K., but HanWay Films should make more than a few international sales riding on his name.
The attraction here is witnessing an elderly man turn the tables on a bunch of sneering, drug-snorting thugs. Following the deaths of his wife (by natural causes) and best mate (at the hands of the punks), old Harry has little reason to worry about either his own life or capture by the police.
The police are caricatured anyway, as dogs chasing their tails -- with the exception of the one caring detective, played by the always-reliable Emily Mortimer -- while the punks are irredeemably vicious. The movie, written by Gary Young, wants to think it's making a comment on rising violence in the U.K. but since the source of that violence -- the lives and backgrounds of gang members -- goes unexamined, the film is really designed as a shooting gallery. It's high noon all the time.
Indeed, the only character examined at all is Harry himself. He is an ex-Marine who buried memories of war and killing when he married his beloved wife. But with her gone, he can go into psycho killer mode.
It's a superficial examination, merely glancing into the details of a lonely existence in genteel poverty. Then the transition from aging chess player to urban commando is absurdly abrupt. Continued...