February 28, 2010 / 5:41 PM / in 8 years

The top movies at the North American box office

LOS ANGELES (Reuters) - Following are the top 10 movies at the North American box office for the three days beginning on February 26, led again by “Shutter Island,” according to studio estimates compiled on Sunday by Reuters.

1 (1) Shutter Island ................. $ 22.2 million

2 (*) Cop Out ........................ $ 18.6 million

3 (*) The Crazies .................... $ 16.5 million

4 (3) Avatar ......................... $ 14.0 million

5 (4) Percy Jackson & The Olympians .. $ 9.8 million

6 (2) Valentine’s Day................. $ 9.5 million

7 (6) Dear John ...................... $ 5.0 million

8 (5) The Wolfman .................... $ 4.1 million

9 (7) Tooth Fairy .................... $ 3.5 million

10 (8) Crazy Heart..................... $ 2.5 million

NOTE: Last weekend’s rankings in parentheses; (*) denotes new release.

TOTALS TO DATE

Avatar.......................... $ 706.9 million

Valentine’s Day ................ $ 100.4 million

Shutter Island ................. $ 75.1 million

Dear John....... ............... $ 72.6 million

Percy Jackson & The Olympians .. $ 71.2 million

The Wolfman .................... $ 57.2 million

Tooth Fairy..................... $ 53.9 million

Crazy Heart .................... $ 25.1 million

Cop Out ........................ $ 18.6 million

The Crazies .....................$ 16.5 million

“Shutter Island” was released by Paramount Pictures, a unit of Viacom Inc.

“Cop Out” and “Valentine’s Day” were released by Warner Bros., a unit of Time Warner Inc..

“The Crazies” was released by Overture Films, a unit of Liberty Media Corp..

“Avatar,” “Percy Jackson & The Olympians: The Lightning Thief” and “Tooth Fairy” were released by 20th Century Fox. “Crazy Heart” was released by Fox Searchlight. Both are units of News Corp..

“Dear John” was released by Screen Gems, a unit of Sony Corp.

“The Wolfman” was released by Universal Pictures, a unit of General Electric Co.’s NBC Universal Inc.

Editing by Paul Simao

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