Glenn Close pours "crazy passion" into "Albert Nobbs"
By Cameron French
TORONTO (Reuters) - In her 29-year film career, Glenn Close has been nominated for five Oscars, won three Emmys, and prompted a generation of married American men to think twice about cheating with her turn as an obsessed lover in 1987's "Fatal Attraction".
But through it all, she harbored the dream of bringing to the big screen "Albert Nobbs", a curious tale about a woman driven by circumstance to pass herself off as a man in 19th-century Dublin. It premiered this week at the Toronto International Film Festival.
Close first played the titular character on stage in 1982, and 15 years ago launched an all-out effort to get the film made, shepherding the project through script rewrites, casting changes and endless searches for private investors.
"The nature of these kinds of films is you've got to have this crazy passion behind them, because they're outside the box," Close told Reuters, flashing a broad smile that would be out of place for the repressed and buttoned-down Nobbs.
"I knew it was going to be hard. I didn't know it was going to be 15 years hard," said Close, who also co-wrote the script and produced the Rodrigo Garcia-directed film.
With a pallid face, straight back and Charlie Chaplin-style walk, Close's portrayal of Nobbs bears little resemblance to the femme fatales and authority figure roles that have defined her career.
As a waiter in a swanky Dublin hotel, Nobbs keeps to herself, hiding her gender from co-workers and squirreling away money for the day when she can leave and open a business.
But her cloistered reality is broken by the arrival of the painter Hubert, played by Janet McTeer, who harbors a secret similar to Nobbs, prompting the waiter to consider trying to reclaim whatever true identity remains under her disguise. Continued...