Descent into madness entwines Van Gogh, Artaud at Paris exhibition

Tue Mar 11, 2014 10:19am EDT
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By Alexandria Sage

PARIS (Reuters) - The shrieks of mad women assault visitors entering the Musee d'Orsay's new exhibit on Vincent Van Gogh, an arresting look at the painter's work as seen through the eyes of the late avant-garde French theatre director and playwright Antonin Artaud.

"The Man Driven to Suicide by Society", opening on Tuesday in Paris, is a fitting title for a display of 55 Van Gogh works using Artaud's own commentary to see them in a new light.

Artaud - one of the great theorizers about the stage, renowned for his short but seminal 1938 tract "The Theatre of Cruelty" - was, like Van Gogh, tormented throughout his life by hallucinations and hospitalized in psychiatric asylums.

In the exhibition space, a kaleidoscope of violent phrases culled from Artaud's 1947 analysis of Van Gogh is projected on the floor - "anguish", "delirium", "bad blood".

Recorded shrieks set the tone as four of Van Gogh's self-portraits stare back at the viewer.

With thick brushstrokes of blue and green underlining the piercing blue eyes and a wary, proud expression, Van Gogh challenges us to say whether it is him, or society, that is mad.

Artaud would claim the former. Although born six years after the painter's death, the author of the influential theatre manifesto that was a "must read" during France's 1968 student upheavals felt a kinship for the red-haired artist who died after shooting himself in the stomach in 1890.

Artaud defended Van Gogh in a 1947 book that blamed society for his death. A publisher had convinced the playwright that his own mental health issues would make him an ideal interpreter of Van Gogh.   Continued...

The shadow of a journalist is cast on the projection of the painting "Champ de Ble aux Corbeaux", Auvers sur Oise in July 1890, by painter Vincent van Gogh during press day for the exhibition, "Van Gogh/Artaud The Man Suicided by Society", at the Musee d'Orsay in Paris March 10, 2014. REUTERS/John Schults