Guardhouse becomes tiny venue for Cold War art project
By Emma Anderson
(Reuters) - A German artist has turned a tiny surveillance booth used by the communist regime in the former East Germany to monitor citizens into an art exhibit and venue, which will be installed in a museum near Los Angeles dedicated to the Cold War.
The one-person guardhouse measuring 2 meters (yards) by 1 meter was originally located in the parking lot of state-run news agency ADN so that authorities could keep a watchful eye on reporters. Artist Christof Zwiener rescued it from demolition.
Guardhouses were an integral part of state surveillance in East Germany (GDR), stationed not only at borders but in places where they could monitor ordinary people going about their daily lives.
"The guard, he or she, controlled the people coming in or out but on the other hand, the people going in also watched him," said Zwiener. "There are a lot of forgotten things in East Berlin still, but nobody cares about them anymore."
Berlin tourist attractions on the GDR theme include Checkpoint Charlie and the Stasi Museum and DDR Museum, both of which focus on the Stasi's sinister surveillance apparatus.
Ten artists have showcased their work in the closet-sized booth, many focusing on surveillance which is a sensitive issue in Germany because of the way the Gestapo and Stasi spied on citizens in the Nazi and communist eras.
The project has coincided with revelations that the U.S. National Security Agency spied on citizens and institutions in Germany, including Chancellor Angela Merkel's mobile phone.
The exhibit by Berlin-based artist Sonya Schoenberger, which ends this month, consists of thousands of keys once used in Stasi police barracks, hanging from a vertical metal rod. Continued...