Gowns take glamorous cues from bygone eras at Fashion Week
By Patricia Reaney
NEW YORK (Reuters) - Elegance, sophistication and a touch of mystery dominated the runway at New York Fashion Week as designers took cues from bygone eras to feature glamorous gowns in silk, brocades, lace and velvet in their 2012 Fall/Winter collections.
Like the Hollywood hit films "The Artist" and "Midnight in Paris" and the hugely popular TV drama "Downton Abbey" that captured an earlier age, designers created sleek, sultry styles with deep-cut fronts and backs with beads, embroidery and pleats reminiscent of the 1920s, 30s and 40s.
For Los Angeles-based, Japanese-born Tadashi Shoji it was 1930s Shanghai that captured his imagination. With graceful silhouettes, column gowns, drop waists, embroidered lace, handkerchief hems and cap sleeves from the Golden Age of Shanghai, when the city was known as the "Paris of the Orient," was recreated on the catwalk.
"It was a very opulent, mysterious, moody period in Shanghai and I wanted to capture it," he said after his show.
A flame-colored washed velvet long-sleeve gown featured a beaded lace cowl back, while another hazel digital peony print hammered satin gown had an open back with hand-beaded detail.
Blouson dresses, some in tea length, and floral embroidered tulle and lace were also prominent, as was the color gold.
"Everything is gold, but it is not a flashy gold. We did a very subtle, tarnished gold. I think gold is in this season," he said.
GLAMOUR, GRANDEUR AND FEMME FATAL Continued...