The Bank Job
By Frank Scheck
NEW YORK (Hollywood Reporter) - The caper film is such a time-honored and recently neglected genre that it’s a shame to report that Roger Donaldson’s “The Bank Job” isn’t better than it is.
Loosely based on the true-life 1971 robbery of a Lloyds Bank in a ritzy section of London, “Bank” is a slow-paced and often confusingly plotted crime drama that never lives up to the delicious potential of its premise.
The heist’s central figure is Terry (Jason Statham, working in a less physically demanding mode than usual), a small-time car dealer and petty criminal who is propositioned to do the job by his old flame Martine (Saffron Burrows). Although she promises a roomful of safe deposit boxes containing untold millions in cash and jewelry, it turns out that her motivations aren’t financial. She’s being pressured by the British spy forces, who are determined to procure sexually incriminating photos of a member of the royal family that are being used for blackmail purposes by a drug-dealing revolutionary (Peter De Jersey).
Although the robbery is successful, Terry and his makeshift gang suddenly find themselves being pursued not only by the agents of M15 or M16 -- no one is really quite sure which -- but also by a ruthless gangster (David Suchet) looking to retrieve a ledger detailing his payoffs to the local police.
The screenplay by the veteran team of Dick Clement and Ian La Frenais (“The Commitments”) doesn’t succeed in conveying the complicated scenario in fully coherent fashion, and Donaldson’s tonally wobbly direction is atypically unsure. The proceedings never achieve the necessary tension or pacing, and the half-hearted attempts at comic relief mainly fall flat.
Statham provides his usual compelling physical presence and Suchet delivers a memorably pungent performance, but the supporting players are generally unmemorable, and Burrows is given little to do.
While its 1970s setting is reasonably conveyed despite an obviously low budget, “Bank” fails to rise to the level of the many standard-bearers of the genre dating from the same period.
Terry: Jason Statham
Martine Love: Saffron Burrows
Tim Everett: Richard Lintern
Kevin Swain: Stephen Campbell Moore
Dave Schilling: Daniel Mays
Guy Singer: James Faulkner
Eddie Burton: Michael Jibson
Bambas: Alki David
Tim Everett: Richard Lintern
Gerald Pyke: Don Gallagher
Lew Vogel: David Suchet
Director: Roger Donaldson; Screenwriters: Dick Clement, Ian La Frenais; Producers: Steven Chasman, Charles Roven; Executive producers: George McIndoe, Ryan Kavanaugh, David Alper, Alan G. Glazer, Alex Gartner, Gary Hamilton, Christopher Mapp, Matthew Street, David Whealy; Director of photography: Mick Coulter; Production designer: Gavin Bocquet; Music: J. Peter Robinson; Co-producer: Mairi Bett; Costume designer: Odile Dicks-Mireaux; Editor: John Gilbert.