NEW YORK (Hollywood Reporter) - Willy Wonka could soon be kicking up his heels.
Warner Bros. is developing a stage musical based on “Charlie and the Chocolate Factory,” the children’s classic that it bought to the big screen four years ago.
The idea is to take the candy-colored set pieces -- seen most elaborately in the effects of Tim Burton’s 2005 picture -- and translate them to the stage, while also transferring musical elements that animated the film along with new numbers.
Sam Mendes, an English theater veteran who went on to bring “American Beauty” and “Revolutionary Road” to the big screen, will produce the project with business partner Caro Newling. He is eyeing it as a directing vehicle, but is far from making a decision, said people familiar with the situation.
David Greig has been hired to write the book. The Scottish playwright has penned a slew of plays, including “Damascus,” “The American Pilot” and the real-estate drama “The Architect,” which became a 2006 movie starring Anthony LaPaglia.
Marc Shaiman and Scott Wittman, meanwhile, will compose the music; both worked on the big screen treatment of “Hairspray.”
Roald Dahl’s children’s classic -- about a poor boy who wins a tour of a mysterious chocolate factory from the eccentric Willy Wonka -- first came to the screen in 1971 from Paramount as “Willy Wonka & the Chocolate Factory.” The Warners version, titled “Charlie and the Chocolate Factory” and starring Johnny Depp as Wonka, made nearly $500 million worldwide for the studio in 2005, fusing Dahl’s quirky imagination with Burton’s elaborate visuals.
The property has been known for its music. The 1971 version won an Oscar for best original score and featured hits such as “The Candy Man Can,” while the 2005 picture featured a score composed (and a few songs sung) by Danny Elfman.
Mendes has been the rare presence who toggles between film and stage work. He came to prominence as artistic director at London’s Donmar Warehouse, and on the British stage has directed the Stephen Sondheim musical “Assassins” as well as the revival of “Cabaret,” among others. In the U.S., he has in the past few years helmed “Gypsy” and “The Vertical Hours” on Broadway and Shakespeare and Chekhov at BAM.
He is currently contemplating a number of film projects, particularly at Focus Features, where he is developing the George Eliot novel ”Middlemarch,“ the cattle-herding saga ”Butcher’s Crossing“ and the post-9/11 tale ”Netherland“ as producing and potential directing vehicles. He’s also attached to the comic-book adaptation ‘Preacher.” Mendes most recently directed the young-parent dramedy “Away We Go” for Focus.
Editing by DGoodman at Reuters