SALT LAKE CITY (Reuters) - The Mormon Church released photographs on Tuesday of a so-called “seer stone” that members believe was used by the Utah-based faith’s founder, Joseph Smith, to write the Book of Mormon, its principal sacred text.
Photos of the egg-shaped, chocolate-brown rock are in a new publication that also carries images of the first printer’s manuscript of the Book of Mormon, which Smith said was based on ancient records and include an account of a visit to America by Jesus Christ.
“Revelations and Translations, Volume 3: Printer’s Manuscript of the Book of Mormon,” is the 11th volume of a project by The Church of Jesus Christ of Latter-day Saints to make every document produced by Smith or his scribes available to the public.
The LDS Church teaches that Smith found gold plates engraved with ancient Egyptian symbols in upstate New York 185 years ago.
The faithful believe God helped Smith translate the text into English for the Book of Mormon, a companion to the Bible, while examining the “seer stone” inside a hat.
Smith’s first manuscript appeared in 1829, but less than a third of that original document survives due to water damage during the 19th century.
Its remains are kept in the faith’s Church History Library in Salt Lake City, while the stone is kept in a Church vault.
The publication of the original manuscript will follow in a future volume of the Joseph Smith Papers, the Church said.
The printer’s manuscript, which is virtually complete, was created so that the original could be kept safe while the copy was sent to printers in New York to set type for the first edition of the Book of Mormon.
The LDS Church, which has more than 15 million members worldwide, said the publication of the latest volume represented a major milestone.
It said the print edition of the Joseph Smith Papers is expected ultimately to span more than 20 volumes divided into six series: Journals, Revelations and Translations, Histories, Documents, Administrative Records, and Legal and Business Records. The first volume of the project was published in 2008.
Reporting by Peg McEntee; Editing by Daniel Wallis and Sandra Maler